Out of the Flames
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Architecture+--+20e+si%C3%A8cle">Congrès et conférences - Architecture -- 20e siècle</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Musicologie+--+20e+si%C3%A8cle">Congrès et conférences - Musicologie -- 20e siècle</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Continu+%28philosophie%29+">Continu (philosophie) </a>
A sonic inquiry into the multi-faceted, poly-temporal relationship between improvisation and composition. Solo Bass Clarinet perfrmances and discussions: Out of the Flames (Lori Freedman, 2016) and The Library on Fire (Paul Steenhuisen, 2015).
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Un fichier numérique uniquement
Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
2016-06-14
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Novak%2C+Marcos.+Mod%C3%A9rateur">Novak, Marcos. Modérateur</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Sammoutis%2C+Evis.+Intervenant">Sammoutis, Evis. Intervenant</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hadjichristos%2C+Christos.+Intervenant">Hadjichristos, Christos. Intervenant</a>
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Researching the Philosophy, Music, and Being of Xenakis’ Work from the I Ching Perspective
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Architecture+--+20e+si%C3%A8cle">Congrès et conférences - Architecture -- 20e siècle</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Musicologie+--+20e+si%C3%A8cle">Congrès et conférences - Musicologie -- 20e siècle</a>
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In 1991, a stochastic music piece called Gendy3 was produced entirely by a computer program written by the composer Iannis Xenakis at CEMAMu. In his words, Xenakis asked "What is a composer? A thinker and plastic artist who expresses himself through sound being." We now can hear computer generated sounds that we were incapable of imagining before. The relations between human beings and music has been changed, from human control to digital control. In this research, I will deal with the following questions: Can new music help to enhance our epistemology of the universe? Can new music change our perceptions of the relations between human beings and music?
Xenakis adopts a western-scientific approach on composing his music. I Ching, on the other hand, from the East, is the object of more discussion and comprehension with the help of the development of mathematics and science. I will compare Xenakis’s approach and the I Ching to answer the above questions in three parts: philosophy, music, and human beings.
Conclusion
As the discussion above, a strong correlation between the western scientific approach on music and the eastern mysterious web of signs of math has appeared. To find out the concrete answer, a physical space with experimental music could be taken as a tool to take future steps on this analysis.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yu%2C+Yin.+Conf%C3%A9renci%C3%A8re">Yu, Yin. Conférencière</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=European+University+of+Cyprus">European University of Cyprus</a>
Un fichier numérique uniquement
Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
2016-06-14
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Novak%2C+Marcos.+Mod%C3%A9rateur">Novak, Marcos. Modérateur</a>
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ArchiMusic: from Polytopes to Allotopes
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Architecture+--+20e+si%C3%A8cle">Congrès et conférences - Architecture -- 20e siècle</a>
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Keynote lecture.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Novak%2C+Marcos.+Conf%C3%A9rencier">Novak, Marcos. Conférencier</a>
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Un fichier numérique uniquement
Centre Iannis Xenakis
University of Cyprus
European University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
2016-06-13
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hadjichristos%2C+Christos.+Mod%C3%A9rateur">Hadjichristos, Christos. Modérateur</a>
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Economou%2C+Athanassios.+Intervenant">Economou, Athanassios. Intervenant</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Vasquez+Hadjilyra%2C+Oswald+Emiddio.+Intervenant">Vasquez Hadjilyra, Oswald Emiddio. Intervenant</a>
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kanach%2C+Sharon+%281957-....%29.+Intervenante">Kanach, Sharon (1957-....). Intervenante</a>
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Are Noise and Silence Part of the Same Continuum?
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Architecture+--+20e+si%C3%A8cle">Congrès et conférences - Architecture -- 20e siècle</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Musicologie+--+20e+si%C3%A8cle">Congrès et conférences - Musicologie -- 20e siècle</a>
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The underlying idea that noise and silence may constitute the two ends of the same continuum is the subject of our research. Noise and silence are examined as notions beyond their strict sense of the word; their expanded connotation reflects on creative thinking, aesthetic and cultural matters and scientific research. We focus on the relationship of noise and silence, with respect to sound and space, by interpreting them as spatial elements. The composition Continuum II for solo viola (2015) by N. Chatzopoulou, has been used as a platform in order to investigate how the elements of noise and silence, which are used structurally in order to attain cohesiveness and a continuous flow in time, can be interpreted in space. Experimenting with different surfaces, layers, textures and light, we aim to explore the fine constituents of silence and noise and consequently observe the points that they converge and diverge from each other. Without aiming to neglect the other senses, our cultural preference for the ocular proves useful in revealing hidden aspects of the relationship between silence and noise and the nature of this continuum. As a result, it has a significant impact on how we think, listen, design, create and live in our contemporary world.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Chatzopoulou%2C+Nicoleta.+Conf%C3%A9renci%C3%A8re">Chatzopoulou, Nicoleta. Conférencière</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Parthenios%2C+Panagiotis.+Co-auteur">Parthenios, Panagiotis. Co-auteur</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=University+of+Cyprus">University of Cyprus</a>
Un fichier numérique uniquement
Centre Iannis Xenakis
University of Cyprus
European University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
2016-06-13
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lieberman%2C+David.+Mod%C3%A9rateur">Lieberman, David. Modérateur</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Vasquez+Hadjilyra%2C+Oswald+Emiddio.+Intervenant">Vasquez Hadjilyra, Oswald Emiddio. Intervenant</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Parthenios%2C+Panagiotis.+Intervenant">Parthenios, Panagiotis. Intervenant</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Georgaki%2C+Anastasia.+Intervenant">Georgaki, Anastasia. Intervenant</a>
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