<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.centre-iannis-xenakis.org/items/show/688">
    <dcterms:title><![CDATA[QR code 22]]></dcterms:title>
    <dcterms:title><![CDATA[Gestes de l&#039;écrit (1994)]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Musique+--+1945-....%2C+Musique+%C3%A9lectroacoustique%2C+Composition+musicale+assist%C3%A9e+par+ordinateur">Musique -- 1945-...., Musique électroacoustique, Composition musicale assistée par ordinateur</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[Enregistrement de l'oeuvre &eacute;lectroacoustique&nbsp;<em>Gestes de l'&eacute;crit</em>, compos&eacute;e&nbsp;par Daniel Terrugi en 1994 sur l'UPIC.<br /><br />"L'&eacute;criture est un geste de communication, int&eacute;rieure dans certains cas, superflue dans d'autres. L'outil dessine laborieusement les signes qui nou semm&egrave;nent vers l'abstrait, prenant des formes et des chemins divers pour y parvenir.&nbsp;<br />Des gestes propres &agrave; l'outil (UPIC) conditionnent la pens&eacute;e entre l'intention et les phon&egrave;mes. J'appelle phon&egrave;mes les quelques 12 dessinns effectu&eacute;s sur l'&eacute;cran que j'ai ensuite d&eacute;form&eacute;s et modifi&eacute;s pour les combiner dans les mots ; pr&eacute;alable &agrave; la musique. [...]<br />Cette oeuvre est d&eacute;di&eacute;e &agrave; tous ceux qu iont pass&eacute; des heures, des jours et des semaines &agrave; extraire de la musique de quelques lignes jet&eacute;es sur un cadre. Ils auront r&eacute;ussi ou pas, en tout cas je me suis &eacute;norm&eacute;ment amus&eacute;." (Teruggi, Daniel<span>.&nbsp;</span><em>Xenakis, UPIC, Continuum Electroacoustic &amp; Instrumental works from CCMIX Paris</em><span>, Mode Records,&nbsp;</span><span>livret&nbsp;p.38)</span>]]></dcterms:description>
    <dcterms:description><![CDATA["Writing is a gesture of communication, interior in certain cases, superfluous in others. The tool laboriously draws signs that lead towards the abstract, taking on forms and diverse paths get there.<br />The gestures proper to the tool (the UPIC) condition thinking which finds an immediacy (relative) between intention an "phonemes" those some 12 drawings made on the screen that I subsequently deformed and modified to combine them into words; prior to music. [...]<br />This work is dedicated to all those who have passed hours, days and weeks, extracting music from somelines thrown on a frame. They will have succeded or not; in any cas, I greatly enjoyed myself."&nbsp;(Teruggi, Daniel.&nbsp;<em>Xenakis, UPIC, Continuum Electroacoustic &amp; Instrumental works from CCMIX Paris</em>, Mode Records,&nbsp;livret&nbsp;p.37-38)]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Terrugi%2C+Daniel.+Compositeur">Terrugi, Daniel. Compositeur</a>]]></dcterms:creator>
    <dcterms:source><![CDATA[Centre Iannis Xenakis QR22, exposition du CIX]]></dcterms:source>
    <dcterms:publisher><![CDATA[Mode Records]]></dcterms:publisher>
    <dcterms:date><![CDATA[2001]]></dcterms:date>
    <dcterms:rights><![CDATA[Tous droits réservés.piste CD audio (00:09:54)]]></dcterms:rights>
    <dcterms:format><![CDATA[piste CD audio (00:11:02)]]></dcterms:format>
    <dcterms:language><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=44&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=en">en</a>]]></dcterms:language>
    <dcterms:language><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=44&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=fr">fr</a>]]></dcterms:language>
    <dcterms:type><![CDATA[Son]]></dcterms:type>
</rdf:Description></rdf:RDF>
