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                <text>Andrew Norman's The Companion Guide to Rome: Influence of Architecture and Visual Art on Composition</text>
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                <text>Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture</text>
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                <text>Lanzilotti, Anne. Conférencière</text>
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                <text>University of Cyprus</text>
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                <text>Lieberman, David. Modérateur</text>
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                <text>Kanach, Sharon (1957-....). Intervenante</text>
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                <text>Freedman, Lori (1958-....). Intervenante</text>
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                <text>Economou, Athanassios. Intervenant</text>
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                <text>Kavallaris, Faidros. Intervenant</text>
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                <text>Congrès et conférences - Architecture -- 20e siècle</text>
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                <text>Continu (philosophie)</text>
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                <text>In the same way that the Cosmatesque floors in San Benedetto in Piscinula affect&#13;
the way one interacts with the space consciously or subconsciously, Norman’s use of&#13;
palindromic musical gesture give a structure through which to process movement through&#13;
time. Both challenge the observer through zooming in on the specific design/pattern of&#13;
the materials to trust in the actual and symbolic experience of marching through time. It&#13;
is only through “outside time made possible by memory” that one perceives patterns, and&#13;
hopes to move forward. This is the spirituality reflection: forcing one to focus on time&#13;
itself, the symmetries of experience, and what is to come.</text>
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                <text>Un fichier numérique uniquement</text>
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                <text>2016-06-13</text>
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                <text>Centre Iannis Xenakis</text>
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                <text>École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)</text>
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        <name>Andrew Norman</name>
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