<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.centre-iannis-xenakis.org/items/show/4078">
    <dcterms:title><![CDATA[Le continuum en musique : les réseaux d’un concept connectif]]></dcterms:title>
    <dcterms:title><![CDATA[Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Architecture+--+20e+si%C3%A8cle">Congrès et conférences - Architecture -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Musicologie+--+20e+si%C3%A8cle">Congrès et conférences - Musicologie -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Continu+%28philosophie%29+">Continu (philosophie) </a>]]></dcterms:subject>
    <dcterms:description><![CDATA[Le mot continuum est apparu régulièrement dans les travaux scientifiques au début des années 1920 (notamment dans le langage des physiciens) en tant qu’ensemble d’éléments disposés de telle manière que l’on puisse passer de l’un à l’autre de façon continue. D’où cette récupération par les théories relativistes de l’expression continuum espace-temps comme espace à quatre dimensions, dont la quatrième est le Temps. Depuis les recherches d’Edgar Varèse portant sur la dimension spatiale de l’art sonore, un pan de la musique savante du vingtième siècle a versé dans la conduite majeure de flux spatio-temporels pertinents. Dans ce sillage, chacun à leur manière et parmi tant d’autres compositeurs, Giacinto Scelsi ou Iannis Xenakis, György Ligeti ou Gérard Grisey… ont su mettre en œuvre cette idée d’immanence et de permanence d’état qui a légitimé la notion de continuité dans le repère de l’espace-temps. Dès lors, attachée à l’exemplification du système de connexité légué par Hugo Riemann, la musicologie, de déformations en métaphores poétiques, de métamorphoses en formalismes déduits, de contradictions en approximations feintes, a pu parler de continuums de hauteurs, d’intensités, de dynamiques, de durées, de tempi, de timbres, d’espaces… Appliquée principalement à la musique orchestrale « contemporaine », la communication du Professeur Pierre Albert Castanet portera sur les différents réseaux de ce concept connectif.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Castanet%2C+Pierre+Albert+%281956-....%29.+Conf%C3%A9rencier">Castanet, Pierre Albert (1956-....). Conférencier</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%C3%89cole+nationale+sup%C3%A9rieure+d%27architecture+de+Normandie+%28Darn%C3%A9tal%2C+Seine-Maritime%29">École nationale supérieure d&#039;architecture de Normandie (Darnétal, Seine-Maritime)</a>]]></dcterms:creator>
    <dcterms:source><![CDATA[Un fichier numérique uniquement]]></dcterms:source>
    <dcterms:publisher><![CDATA[École nationale supérieure d&#039;architecture de Normandie (Darnétal, Seine-Maritime)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Université de Rouen]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[European University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Centre Iannis Xenakis]]></dcterms:publisher>
    <dcterms:date><![CDATA[2015-11-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Criton%2C+Pascale+%281954-....%29.+Mod%C3%A9ratrice">Criton, Pascale (1954-....). Modératrice</a>]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>]]></dcterms:rights>
    <dcterms:format><![CDATA[Fichier vidéo numérique, .mp4]]></dcterms:format>
    <dcterms:language><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=44&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=fr">fr</a>]]></dcterms:language>
    <dcterms:type><![CDATA[moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=43&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=http%3A%2F%2Fwww.centre-iannis-xenakis.org%2Fitems%2Fshow%2F4078">http://www.centre-iannis-xenakis.org/items/show/4078</a>]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.centre-iannis-xenakis.org/items/show/4079">
    <dcterms:title><![CDATA[La relation continu/discontinu dans l’oeuvre de Iannis Xenakis]]></dcterms:title>
    <dcterms:title><![CDATA[Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Architecture+--+20e+si%C3%A8cle">Congrès et conférences - Architecture -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Musicologie+--+20e+si%C3%A8cle">Congrès et conférences - Musicologie -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Continu+%28philosophie%29+">Continu (philosophie) </a>]]></dcterms:subject>
    <dcterms:description><![CDATA[La conception musicale de Xenakis est fondée sur un recours à des notions abstraites ayant une portée très générale. Ces notions forment souvent des dualités de termes opposés : déterminisme/ indéterminisme, homogénéité/ hétérogénéité, ordre/ désordre, complexité/ simplicité. L’opposition continu/ discontinu fait partie de ces dualités. Considérée par Xenakis comme « une source positive d’innovation conceptuelle » , elle constitue une des dimensions structurantes essentielles de son univers sonore. Xenakis établit en effet d’emblée une distinction fondamentale entre deux types d’événements : continus et ponctuels (autrement dit discontinus). <br />
La présente communication s’attache à établir une série de correspondances entre la façon dont Xenakis envisage la relation continu/ discontinu et certaines idées ou théories philosophiques, scientifiques et esthétiques qui ont marqué les années 1950-1980. Je commencerai par discuter les analogies qui existent entre la dualité continu-discontinu telle que la conçoit Xenakis et d’autres dualités : onde-corpuscule, saillance-prégnance (au sens de la théorie des catastrophes de René Thom), lisse-strié, Un-Multiple. Après avoir évoqué différents aspects d’une esthétique de la continuité, je conclurai en proposant de considérer la relation continu-discontinu comme une relation dissymétrique.  <br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Iliescu%2C+Mihu.+Conf%C3%A9rencier">Iliescu, Mihu. Conférencier</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%C3%89cole+nationale+sup%C3%A9rieure+d%27architecture+de+Normandie+%28Darn%C3%A9tal%2C+Seine-Maritime%29">École nationale supérieure d&#039;architecture de Normandie (Darnétal, Seine-Maritime)</a>]]></dcterms:creator>
    <dcterms:source><![CDATA[Un fichier numérique uniquement]]></dcterms:source>
    <dcterms:publisher><![CDATA[École nationale supérieure d&#039;architecture de Normandie (Darnétal, Seine-Maritime)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Université de Rouen]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[European University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Centre Iannis Xenakis]]></dcterms:publisher>
    <dcterms:date><![CDATA[2015-11-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Criton%2C+Pascale+%281954-....%29.+Mod%C3%A9ratrice">Criton, Pascale (1954-....). Modératrice</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hollard%2C+Arnaud.+Intervenant">Hollard, Arnaud. Intervenant</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Delhaye%2C+Cyrille.+Intervenant">Delhaye, Cyrille. Intervenant</a>]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>]]></dcterms:rights>
    <dcterms:format><![CDATA[Fichier vidéo numérique, .mp4]]></dcterms:format>
    <dcterms:language><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=44&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=fr">fr</a>]]></dcterms:language>
    <dcterms:type><![CDATA[moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=43&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=http%3A%2F%2Fwww.centre-iannis-xenakis.org%2Fitems%2Fshow%2F4079">http://www.centre-iannis-xenakis.org/items/show/4079</a>]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.centre-iannis-xenakis.org/items/show/4085">
    <dcterms:title><![CDATA[White box black box: at the edges of sound and light]]></dcterms:title>
    <dcterms:title><![CDATA[Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Architecture+--+20e+si%C3%A8cle">Congrès et conférences - Architecture -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Musicologie+--+20e+si%C3%A8cle">Congrès et conférences - Musicologie -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Continu+%28philosophie%29+">Continu (philosophie) </a>]]></dcterms:subject>
    <dcterms:description><![CDATA[Keynote<br />
<br />
White Box<br />
the space of exhibition<br />
the space of installation<br />
edited and reduced to accomodate fine art<br />
<br />
Black Box<br />
the space to facilitate<br />
the space to make possible<br />
expanded and diffused with performance<br />
<br />
The proposition seeks through the choreography of movement, sound, and light to investigate the nature of space in its poetic and emotive qualities and to articulately craft the boundaries and limits through the use of specific materiality, fabrications, and assemblies, the architecture of contemporary cultural practice and political expression, an architecture determined by its occupancy and use.<br />
<br />
In a post cinematic world, creative production transcends the norms of traditional media and disciplines.  Not unlike the integrated practice of architecture, the practices of fine art and performing art are more often than not, combinatory in their execution and rooted in a multiplicity of references.<br />
<br />
Light and sound are the palpable materials of architectural containment and are simultaneously the prinicipal forms of its occupation.  Traditional spatial composition has relied upon the surfaces of resistance and reflection;  space can be understood in the dissolve and blur of the visual and the aural at the limits of perception and tactility.<br />
<br />
Current discussions in the academy and in experimental practice are focused on responsive architectures and interactive interface;  the work posits the concept of generative archtiectures in terms of materials, hybrid systems, and controls through both improvised and scripted tenancies as acts of invention and innovation.<br />
<br />
<br />
In Paul Mazursky&#039;s film The Tempest, John Cassavettes plays Prospero as an architect rebuilding an a ancient amphitheatre on a Greek isle.  He lifts his glasses to the darkening skies ..... the lighting flashes, the thunder roars, and the waves crash on the shore &quot;show me the magic&quot;]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lieberman%2C+David.+Conf%C3%A9rencier">Lieberman, David. Conférencier</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%C3%89cole+nationale+sup%C3%A9rieure+d%27architecture+de+Normandie+%28Darn%C3%A9tal%2C+Seine-Maritime%29">École nationale supérieure d&#039;architecture de Normandie (Darnétal, Seine-Maritime)</a>]]></dcterms:creator>
    <dcterms:source><![CDATA[Un fichier numérique uniquement]]></dcterms:source>
    <dcterms:publisher><![CDATA[Université de Rouen]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[European University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[École nationale supérieure d&#039;architecture de Normandie (Darnétal, Seine-Maritime)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Centre Iannis Xenakis]]></dcterms:publisher>
    <dcterms:date><![CDATA[2015-11-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Criton%2C+Pascale+%281954-....%29.+Mod%C3%A9ratrice">Criton, Pascale (1954-....). Modératrice</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=M%C3%A9fano%2C+Paul+%281937-....+%29.+Intervenant+">Méfano, Paul (1937-.... ). Intervenant </a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hollard%2C+Arnaud.+Intervenant">Hollard, Arnaud. Intervenant</a>]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>]]></dcterms:rights>
    <dcterms:format><![CDATA[Fichier vidéo numérique, .mp4]]></dcterms:format>
    <dcterms:language><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=44&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=en">en</a>]]></dcterms:language>
    <dcterms:language><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=44&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=fr">fr</a>]]></dcterms:language>
    <dcterms:type><![CDATA[moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=43&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=http%3A%2F%2Fwww.centre-iannis-xenakis.org%2Fitems%2Fshow%2F4085">http://www.centre-iannis-xenakis.org/items/show/4085</a>]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.centre-iannis-xenakis.org/items/show/4091">
    <dcterms:title><![CDATA[[Table ronde de la première journée du colloque]]]></dcterms:title>
    <dcterms:title><![CDATA[Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Architecture+--+20e+si%C3%A8cle">Congrès et conférences - Architecture -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Musicologie+--+20e+si%C3%A8cle">Congrès et conférences - Musicologie -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Continu+%28philosophie%29+">Continu (philosophie) </a>]]></dcterms:subject>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Delhaye%2C+Cyrille.+Mod%C3%A9rateur">Delhaye, Cyrille. Modérateur</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%C3%89cole+nationale+sup%C3%A9rieure+d%27architecture+de+Normandie+%28Darn%C3%A9tal%2C+Seine-Maritime%29">École nationale supérieure d&#039;architecture de Normandie (Darnétal, Seine-Maritime)</a>]]></dcterms:creator>
    <dcterms:source><![CDATA[Un fichier numérique uniquement]]></dcterms:source>
    <dcterms:publisher><![CDATA[Centre Iannis Xenakis]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[École nationale supérieure d&#039;architecture de Normandie (Darnétal, Seine-Maritime)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Université de Rouen]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[European University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University of Cyprus]]></dcterms:publisher>
    <dcterms:date><![CDATA[2015-11-03]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Castanet%2C+Pierre+Albert+%281956-....%29">Castanet, Pierre Albert (1956-....)</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Vaggione%2C+Horacio+%281943-....%29.+Intervenant">Vaggione, Horacio (1943-....). Intervenant</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lieberman%2C+David.+Intervenant">Lieberman, David. Intervenant</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kanach%2C+Sharon+%281957-....%29.+Intervenant">Kanach, Sharon (1957-....). Intervenant</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Estrada%2C+Julio+%281943-....%29.+Intervenant">Estrada, Julio (1943-....). Intervenant</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Criton%2C+Pascale+%281954-....%29.+Intervenant">Criton, Pascale (1954-....). Intervenant</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Chatzichristou%2C+Christakis.+Intervenant">Chatzichristou, Christakis. Intervenant</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hollard%2C+Arnaud.+Intervenant">Hollard, Arnaud. Intervenant</a>]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>]]></dcterms:rights>
    <dcterms:format><![CDATA[Fichier vidéo numérique, .mp4]]></dcterms:format>
    <dcterms:language><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=44&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=fr">fr</a>]]></dcterms:language>
    <dcterms:identifier><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=43&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=http%3A%2F%2Fwww.centre-iannis-xenakis.org%2Fitems%2Fshow%2F4091">http://www.centre-iannis-xenakis.org/items/show/4091</a>]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.centre-iannis-xenakis.org/items/show/4101">
    <dcterms:title><![CDATA[Giacinto Scelsi&#039;s &quot;Imprint&quot; on the Continuum]]></dcterms:title>
    <dcterms:title><![CDATA[Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Architecture+--+20e+si%C3%A8cle">Congrès et conférences - Architecture -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Musicologie+--+20e+si%C3%A8cle">Congrès et conférences - Musicologie -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Continu+%28philosophie%29">Continu (philosophie)</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[An overview of Giacinto Scelsi&#039;s creative process, music and writings, focussing on the importance he gives to sound and particularly unisson. Could this be the &quot;imprint&quot; he has left on our musical continuum?  Specific examples are given where Scelsi&#039;s influence on Xenakis may be deciphered.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kanach%2C+Sharon+%281957-....%29.+Conf%C3%A9renci%C3%A8re">Kanach, Sharon (1957-....). Conférencière</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=University+of+Cyprus">University of Cyprus</a>]]></dcterms:creator>
    <dcterms:source><![CDATA[Un fichier numérique uniquement]]></dcterms:source>
    <dcterms:publisher><![CDATA[Centre Iannis Xenakis]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[European University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Université de Rouen]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[École nationale supérieure d&#039;architecture de Normandie (Darnétal, Seine-Maritime)]]></dcterms:publisher>
    <dcterms:date><![CDATA[2016-06-13]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lieberman%2C+David.+Mod%C3%A9rateur">Lieberman, David. Modérateur</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Economou%2C+Athanassios.+Intervenant">Economou, Athanassios. Intervenant</a>]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>]]></dcterms:rights>
    <dcterms:format><![CDATA[Fichier vidéo numérique, .mp4]]></dcterms:format>
    <dcterms:language><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=44&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=en">en</a>]]></dcterms:language>
    <dcterms:type><![CDATA[moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=43&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=http%3A%2F%2Fwww.centre-iannis-xenakis.org%2Fitems%2Fshow%2F4101">http://www.centre-iannis-xenakis.org/items/show/4101</a>]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.centre-iannis-xenakis.org/items/show/4102">
    <dcterms:title><![CDATA[ArchiMusic: from Polytopes to Allotopes]]></dcterms:title>
    <dcterms:title><![CDATA[Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Architecture+--+20e+si%C3%A8cle">Congrès et conférences - Architecture -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Musicologie+--+20e+si%C3%A8cle">Congrès et conférences - Musicologie -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Continu+%28philosophie%29">Continu (philosophie)</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[Keynote lecture.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Novak%2C+Marcos.+Conf%C3%A9rencier">Novak, Marcos. Conférencier</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=University+of+Cyprus">University of Cyprus</a>]]></dcterms:creator>
    <dcterms:source><![CDATA[Un fichier numérique uniquement]]></dcterms:source>
    <dcterms:publisher><![CDATA[Centre Iannis Xenakis]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[European University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Université de Rouen]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[École nationale supérieure d&#039;architecture de Normandie (Darnétal, Seine-Maritime)]]></dcterms:publisher>
    <dcterms:date><![CDATA[2016-06-13]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hadjichristos%2C+Christos.+Mod%C3%A9rateur">Hadjichristos, Christos. Modérateur</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lieberman%2C+David.+Intervenant">Lieberman, David. Intervenant</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Economou%2C+Athanassios.+Intervenant">Economou, Athanassios. Intervenant</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Vasquez+Hadjilyra%2C+Oswald+Emiddio.+Intervenant">Vasquez Hadjilyra, Oswald Emiddio. Intervenant</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ham%2C+Jeremy.+Intervenant">Ham, Jeremy. Intervenant</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kanach%2C+Sharon+%281957-....%29.+Intervenante">Kanach, Sharon (1957-....). Intervenante</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lanzilotti%2C+Anne.+Intervenante">Lanzilotti, Anne. Intervenante</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kavallaris%2C+Faidros.+Intervenant">Kavallaris, Faidros. Intervenant</a>]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>]]></dcterms:rights>
    <dcterms:format><![CDATA[Fichier vidéo numérique, .mp4]]></dcterms:format>
    <dcterms:language><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=44&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=en">en</a>]]></dcterms:language>
    <dcterms:type><![CDATA[moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=43&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=http%3A%2F%2Fwww.centre-iannis-xenakis.org%2Fitems%2Fshow%2F4102">http://www.centre-iannis-xenakis.org/items/show/4102</a>]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
