Programme of the colloquia : from Xenakis to the present: the Continuum in music and architecture (University of Cyprus, 2016)

Continuum_Chypre_2016_06_13.pdf

Title

Programme of the colloquia : from Xenakis to the present: the Continuum in music and architecture (University of Cyprus, 2016)

Description

Since the Classical era and the Middle Ages, and in particular since Plato’s Timeus, the concept of continuum has preoccupied thinkers. In the early 20th century, this notion was reactivated by the theory of relativity as well as other theories such as the uncertainty principle, changing our perception of the world, and consequently artistic discourse. Even if this upheaval corresponded to technological advances on the one hand and the collapse of the romantic model on the other hand, it was only around the middle of the 20th century that artists adopted these new physical and metaphysical concepts, prompting new creative tools, especially in music and architecture.

Date

2016-06-13
2016-06-14

Publisher

Centre Iannis Xenakis

Rights

Licence Creative Commons
Ce(tte) œuvre est mise à disposition selon les termes de la Licence Creative Commons Attribution - Partage dans les Mêmes Conditions 4.0 International

Format

Fichier numérique, pdf

Language

en

Type

text

Coverage

||||osm
Chypre

Collection

Ephemera

Citation

Centre Iannis Xenakis, “Programme of the colloquia : from Xenakis to the present: the Continuum in music and architecture (University of Cyprus, 2016),” Centre Iannis Xenakis., accessed April 17, 2024, https://www.centre-iannis-xenakis.org/items/show/4116.

Item Relations

This Item frbr:partOf Item: Programme du colloque : Le continuum & son développement en musique et en architecture
Item: Researching the Philosophy, Music, and Being of Xenakis’ Work from the I Ching Perspective frbr:partOf This Item
Item: The genesis of structure: A narrative description of F. Romitelli’s Yellow, Green and Blue frbr:partOf This Item
Item: Musico-Spatial Design Research within the Continuum of Performance, Practice and the Academy frbr:partOf This Item
Item: Sound and Homeomorphisms frbr:partOf This Item
Item: Giacinto Scelsi's "Imprint" on the Continuum frbr:partOf This Item
Item: Are Noise and Silence Part of the Same Continuum? frbr:partOf This Item
Item: Reinventing the sense of continuity in urban structure through pauses frbr:partOf This Item
Item: Xenakis's Transfer: The transdisciplinary compositional thinking as an inference-transfer process. frbr:partOf This Item
Item: Andrew Norman's The Companion Guide to Rome: Influence of Architecture and Visual Art on Composition frbr:partOf This Item
Item: The Allography machine frbr:partOf This Item
Item: On collaboration, sound and inspiration: insight into the composer’s sound world and collaborative method of composing frbr:partOf This Item
Item: Out of the Flames frbr:partOf This Item
Item: The Sound of These Waves frbr:partOf This Item
Item: Granulation and layering: Xenakis's Polytopes and Moholy Nagy's Light-Space Modulator frbr:partOf This Item
Item: Diakopès: historicizing continuum in the work of Iannis Xenakis frbr:partOf This Item
Item: The Polytope of Mycenae (1978) / I. Xenakis: structuring the space of the past through a futuristic architectonic approach frbr:partOf This Item
Item: Practice Walk frbr:partOf This Item

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